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|
Take |
Zeit | Länge |
SQ |
S |
Stück |
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|
|
|
|
t 23 |
1:07:23–
1:08:08 | 45sec |
9 |
51–52 |
Ave Maria (Litanei) |
|
|
|
|
|
|
|
t 24 |
1:11:29–
1:12:26 | 57sec |
10 |
53–54 |
Teile aus Ouverture |
|
|
| |
|
|
|
t 25 |
1:19:57–
1:20:59 | 62sec |
|
59–60 |
Thème victoire colline |
|
|
|
|
|
|
|
t 26 |
1:22:26–
1:23:12 | 46sec |
11 |
62 |
Finale |
|
|
| |
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|
|
t 27 |
1:27:16–
1:27:29 | 13sec |
|
68 |
Trompetensignal (aus Revolution March) |
|
|
|
|
|
|
|
t 28 |
1:29:16–
1:29:40 | 24sec |
12 |
70 |
Florès-Thema (aus Musique de cachot) |
|
|
| |
|
|
|
t 29 |
1:29:40–
1:30:33 | 53sec |
|
70 |
Les petites femmes als Spielmannszugversion |
|
|
|
|
|
|
|
t 30 |
1:34:56–
1:35:36 | 40sec |
13 |
76 |
Motiv
aus Ouverture bzw. Les petites femmes-Thema
verändert |
|
|
| |
|
|
|
t 31 |
1:37:29–
1:38:29 | 60sec |
|
79 |
Revolution March |
|
|
|
|
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|
t 32 |
1:40:18–
1:40:49 | 32sec |
14 |
81–82 |
Revolution March (Trompetensignal und
Streicher) |
|
|
| |
|
|
|
t 33 |
1:41:36–
1:41:43 | 7sec |
|
85 |
Revolution March (Trompetensignal) |
|
|
| |
|
|
|
t 34 |
1:42:11–
1:43:00 | 49sec |
|
85–86 |
Cirque (Walzer) |
|
|
| |
|
|
|
t 35 |
1:43:21–
1:43:58 | 37sec |
|
87 |
Walzer I (siehe t 3) |
|
|
| |
|
|
|
t 36 |
1:45:21–
1:45:42 | 21sec |
|
90 |
Cirque |
|
|
| |
|
|
|
t 37 |
1:47:05–
1:47:16 | 11sec |
|
87 |
Spannung (Streicher) |
|
|
|
|
|
|
|
t 38 |
1:48:49–
1:49:10 | 21sec |
15 |
96 |
Ave Maria (Gounod) verfremdet |
|
|
| |
|
|
|
t 39 |
1:49:58–
1:50:12 | 14sec |
|
97 |
Thema aus Musique de cachot =
›Florès-Thema‹ (siehe t 10) |
|
|
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t 40 |
1:50:38–
1:51:31 | 53sec |
16 |
98 |
Maria Maria |
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| |
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