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Take |
Zeit | Länge |
SQ |
S |
Stück |
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t 1 |
0:00:00–
0:03:55 | 235sec |
1 |
1–5 |
We Got More Than We Need
(Michael McDonald) |
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t 2 |
0:07:20–
0:07:52 | 32sec |
2 |
10 |
›Thema 1‹ (›Crackers‹), A-Teil |
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t 3 |
0:08:53–
0:09:43 | 50sec |
3 |
13 |
Blues-Licks auf der Gitarre |
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t 4 |
0:11:35–
0:14:05 | 150sec |
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13–17 |
City Boy Lover (Bill Summers & Summers
Heat) |
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t 5 |
0:14:54–
0:15:13 | 18sec |
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17 |
›Thema 1‹ (›Crackers‹), B-Teil |
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t 6 |
0:15:24–
0:16:30 | 66sec |
4 |
18 |
Suzi Plastic (Bill Summers & Summers Heat) |
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t 7 |
0:16:56–
0:17:13 | 17sec |
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19 |
›Thema 2‹ (›romantic flute‹) |
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t 8 |
0:17:13–
0:17:51 | 38sec |
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20 |
›Spannung A‹, anschließend kombiniert mit
›Thema 2‹ |
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t 9 |
0:17:53–
0:19:26 | 93sec |
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21–22 |
Barmusik im Hintergrund |
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t 10 |
0:20:26–
0:20:49 | 23sec |
5 |
23–24 |
Variation über ›Spannung A‹ |
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t 11 |
0:21:02–
0:21:41 | 39sec |
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24 |
›Thema 2‹ |
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t 12 |
0:23:54–
0:26:08 | 134sec |
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26–28 |
Rock’n’Roll im ›Jumpin‘ Frog‹ (Dillard spielt
Mundharmonika) |
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t 13 |
0:27:41–
0:27:50 | 9sec |
6 |
32 |
Boardwalk summt |
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t 14 |
0:29:28–
0:31:15 | 107sec |
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33–36 |
›Spannung A‹ + ›Spannung B‹ |
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t 15 |
0:33:15–
0:34:26 | 71sec |
7 |
38 |
Alarmanlage |
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t 16 |
0:35:19–
0:36:51 | 32sec |
8 |
40–41 |
Intrumentaler Easy Listening Funk-Pop (vom
Tonträger) |
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t 17 |
0:37:44–
0:38:54 | 70sec |
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43–44 |
›Thema 3‹ (›Liebesthema Maria+Dillard‹;
harp/git) |
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t 18 |
0:38:52–
0:39:04 | 12sec |
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44 |
Dillard spielt Blueslicks auf der Mundharmonika |
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t 19 |
0:39:43–
0:40:24 | 41sec |
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›Thema 3‹ (›Liebesthema Maria+Dillard‹;
flute) |
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t 20 |
0:42:03–
0:42:58 | 55sec |
8–9 |
46–47 |
›Thema 4‹ (›Romantik-Thema
Boardwalk-Jasmine‹; flute) |
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t 21 |
0:48:18–
0:49:19 | 61sec |
10 |
51 |
Variation über ›Spannung A‹ |
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t 22 |
0:49:21–
0:50:50 | 89sec |
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52 |
Mix aus verschiedenen Musikstilen: Salsa-Pop,
Funk-Pop, Fernandos Gesang |
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t 23 |
0:50:50–
0:51:27 | 37sec |
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53 |
›Thema 2‹ |
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t 24 |
0:51:49–
0:52:21 | 32sec |
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54 |
Dillard spielt auf der Blues-Harp |
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t 25 |
0:53:17–
0:54:06 | 49sec |
11 |
56 |
›Thema 1‹, Teil A und B |
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t 26 |
0:56:19–
0:56:42 | 23sec |
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57–58 |
›Thema 1‹, Teil A + Synthesizer-Fortführung |
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