Damage
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Take |
Zeit | Länge |
SQ |
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Stück |
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t 1 |
0:00:14–
0:01:51 | 97sec |
1 |
1–2 |
Introduction |
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t 2 |
0:02:21–
0:03:42 | 81sec |
1 |
4–5 |
Café Royal (Klavier) |
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t 3 |
0:05:26–
0:06:04 | 38sec |
2 |
8–10 |
Stephen I |
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t 4 |
0:07:13–
0:08:13 | 60sec |
2 |
12 |
Anna I |
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t 5 |
0:09:51–
0:11:17 | 86sec |
3 |
17–21 |
At the Beginning |
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t 6 |
0:14:01–
0:14:27 | 26sec |
3 |
23–24 |
Langgezogener Violinton |
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t 7 |
0:17:07–
0:18:53 | 106sec |
4 |
28 |
Musik im Restaurant |
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t 8 |
0:19:50–
0:21:10 | 80sec |
5 |
31–32 |
Anna II |
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t 9 |
0:22:07–
0:23:11 | 64sec |
5 |
33–34 |
At the Beginning |
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t 10 |
0:25:13–
0:26:25 | 72sec |
5 |
35 |
Intimacy |
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t 11 |
0:28:09–
0:28:35 | 26sec |
6 |
38 |
Brussels-Paris |
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t 12 |
0:29:01–
0:29:26 | 25sec |
6 |
39–40 |
Brussels-Paris |
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t 13 |
0:29:38–
0:29:54 | 16sec |
7 |
42–43 |
Brussels-Paris |
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t 14 |
0:33:36–
0:33:58 | 22sec |
7 |
48–50 |
Lutecia Hotel |
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t 15 |
0:34:49–
0:35:01 | 12sec |
7 |
51 |
Langgezogener Violinton (s. t 6) |
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t 16 |
0:35:24–
0:36:10 | 46sec |
7 |
51 |
Langgezogener Violinton + Stephen I |
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t 17 |
0:45:35–
0:46:20 | 45sec |
9 |
60 |
Variation von Brussels-Paris |
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t 18 |
0:48:33–
0:50:39 | 126sec |
9 |
61 |
Memories |
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t 19 |
0:52:04–
0:52:49 | 45sec |
10 |
62–63 |
In the Country |
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t 20 |
0:53:50–
0:54:45 | 55sec |
10 |
64–66 |
In the Country |
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t 21 |
0:55:27–
0:56:26 | 59sec |
10–11 |
66–67 |
In the Country |
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t 22 |
1:00:59–
1:01:39 | 40sec |
12 |
70–71 |
Stephen I (II) |
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t 23 |
1:08:40–
1:09:11 | 31sec |
14 |
75 |
Dramatic Departure |
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t 24 |
1:10:17–
1:11:03 | 46sec |
14 |
77–79 |
Dramatic Departure |
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t 25 |
1:14:34–
1:15:09 | 35sec |
15 |
82–83 |
Dramatic Departure |
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t 26 |
1:15:50–
1:16:26 | 36sec |
15 |
83–85 |
Dramatic Departure |
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