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with arbitrary p each time.

Also it enables to make greater canons from small ones, which has interesting abstract as well as practical consequences: computerized tools for such transformations of canons are currently under development.


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Figure 7: Zooming out, dividing the tempo and number of voices by 1/4.


2.6 Equirepartition

’From de Bruijn (1955) to Tijdeman (1995) there was some concern about equirepartition, that is to say equiprobability of all residues of a set (or sum of sets) modulo some n .’ Now in the case of a canon, if Z can be written A o+ B o+ nZ it means that A o+ B is a complete set of residues modulo n , or in other words there is equirepartition modulo n ; in polynomials this is expressed by:

A(x).B(x) =_ 1+ x+ x2 + ...+ xn-1 (mod xn - 1)
Indeed this equirepartition result can be reversed to build up trivial (but still musically interesting) canons:

Start from  2 n-1 A(x) = Dn(x) := 1 + x+ x + ...+ x , a trivial tile, and randomly add multiples of n to each the exponents above, e.g. get

 ' 1+nr1 2+nr2 n-1+nrn- 1 A (x) = 1+ x + x + ...+ x
which tiles trivially as A'o + nZ = Z . Indeed a reverse is true :

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Figure 8: Example of equirepartition mod 9.


Theorem 7 A finite subset  ' A of N , beginning with 0, tiles Z  trivially with period n - meaning  ' A o+ nZ = Z , if and only if  ' 1+nr 2+nr n-1+nr A (x) = 1+ x 1 + x 2 + ...+ x n-1 .


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