- 373 -Mazzola, Guerino / Noll, Thomas / Lluis-Puebla, Emilio: Perspectives in Mathematical and Computational Music Theory 
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within the 9-element monoid of dimtone perspectives and we write  * ºA 4 < ºA4 for the 8-element group of augtone symmetries within the 16-element monoid of augtone perspectives.

We consider three actions of the group  * ºA on ºA :

 * left :º A ×* ºA --> ºA with left(s,f) := so f. right :º A*× ºA --> ºA with right(s,f) := f o s. conj :º A × ºA --> ºA with conj(s,f) := so f o s-1.

These three actions induce actions left3,right3,conj3 of  * ºA3 on ºA3 as well as actions left4,right4,conj4 of  * ºA4 on ºA4 (e.g. left3(s3,f3) := (left(s,f))3) .

Proposition 1 Let º º A3/left3,A3/right3 and º A3/conj3 denote the sets of orbits of dimtone perspectives with respect to the actions left3,right3 and conj3 , respectively, and let º º A4/left4,A4/right4 and º A4/conj4 denote the sets of orbits of dimtone perspectives with respect to the actions left4,right4 and conj4 . In detail one has the following orbits:

  1. ºA3/left3 consists of two orbits: {(00)3,(40)3,(80)3} and ºA*3 .
  2. ºA3/right3 consists of four orbits:  0 4 8 {(0)3},{(0)3},{( 0)3} and  * ºA 3 .
  3. ºA3/conj3 consists of four orbits: {(00)3,(40)3,(80)3},{(04)3},{(44)3,(84)3}
    and {(08)3,(48)3,(88)3} .
  4. ºA4/left4 consists of three orbits: {(00)4,(90)4,(60)4,(30)4},{(06)4,(96)4,(66)4,(36)4} and  * ºA4 .
  5. ºA /right 4 4 consists of seven orbits: {(00)},{(90) },{(60) },{(30) },{(06) ,(66) } 4 4 4 4 4 4 , {(96),(36)} 4 4 and ºA* 4 .
  6. ºA4/conj4 consists of seven orbits:  0 9 6 3 0 6 {( 0)4,( 0)4,( 0)4,( 0)4},{(6)4,(6)4} ,
     9 3 0 6 9 3 {( 6)4,( 6)4},{(9)4},{(9)4},{3)4,(3)4} and  0 9 6 3 {( 3)4,( 3)4,( 3)4,( 3)4} .

The verification of this propositions is left to the reader.

Let ºA* = ºA* × ºA* 3×4 3 4 denote the group of outer tone symmetries within the monoid º A3× 4 of all outer tone perspectives. The actions left3 , right3 , conj3 and left4 , right4 , conj4 induce three actions

 º * º º left3× 4,right3× 4,conj3×4 :A 3×4× A3×4 --> A3× 4
(e.g. left3×4((s3,s4),(f3,f4)) := (left3(s3,f3),left4(s4,f4)) . Obviously, the sets ºA3× 4/left3×4,ºA3 ×4/right3×4 and ºA3 ×4/conj3×4 of orbits of these three actions consist of cartesian products O3× O4 of orbits O3 and O4 with respect to the corresponding actions on ºA3 and ºA4 . As a consequence, the above propositions provide a complete picture of the three orbit structures on ºA3×4 . Furthermore, the natural isomorphy between (inner) tone perspectives and outer tone perspectives implies, that the group actions left,right and conj yield the same orbit structures on ºA as the actions left3×4,right3×4 and conj3×4 do on on ºA3 ×4 . This is subsumed in the following proposition:

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- 373 -Mazzola, Guerino / Noll, Thomas / Lluis-Puebla, Emilio: Perspectives in Mathematical and Computational Music Theory