- 405 -Mazzola, Guerino / Noll, Thomas / Lluis-Puebla, Emilio: Perspectives in Mathematical and Computational Music Theory 
  Erste Seite (1) Vorherige Seite (404)Nächste Seite (406) Letzte Seite (454)      Suchen  Nur aktuelle Seite durchsuchen Gesamtes Dokument durchsuchen     Aktuelle Seite drucken Hilfe 

These maps are useful for computer-aided explorative analyses, as we will see below. With these settings we define:
transV alk : [0, oo ) × HARM × HARM --> [0, oo ) locusV alk : [0, oo ) × HARM --> [0, oo ) eval0 : HARM --> [0, oo )
by the formulas
transValk(v,Hk -1,Hk) := v .HT (Hk-1 ~ Hk), locusV alk(v,Hk) := v .c.RL(Xk |\ Hk).rk(Hk). eval0(H0) := locusVal0(1,H0) = c.RL(X0 |\H0).r0(H0).
Multiplication with positive numbers is order-preserving as well as zero-preserving. Multiplication with zero is also allowed and corresponds to the disqualification of those paths passing through the loci (or transitions) with zero-evaluations at k . These formulas completely specify the data which is necessary for the best path calculation. In case of a harmonic tensor ht : HARM × HARM --> R we consider the corresponding maps transValk(v,Hk-1,Hk) := v .exp(- ht(Hk -1 ~ Hk)) (c.f. Subsection 1.3).

In the normal case we have constant restriction maps rk(Hk) = 1 , which actually are not restrictive. But in explorative applications one is sometimes interested to force the pathways to pass though a certain locus H at index k . In this case one uses a restriction map of the kind

 { rk(Hk) = 1 f or Hk = H 0 else
forcing any path H to pass trough H at position k .

2 Riemann Logics

In this section we discuss some specifications of the very general setting, namely to define a map

RL : CHORDS × HARM --> [0, oo ).
In this general situation chords are simply elements of the abstract set CHORDS , i.e. they are not necessarily composed of tones or intervals.

2.1 General Morphology of Chords

Chord Morphology--in a broad sense--is the internal investigation of a chord vocabulary CHORDS in preparation of the study of harmonic signification. A special--but music-theoretically central--case is the study of chords as tone sets. This implies the consideration of a tone space TON ES with

 TONES CHORDS = Fin(TON ES) (_ 2 ,

Erste Seite (1) Vorherige Seite (404)Nächste Seite (406) Letzte Seite (454)      Suchen  Nur aktuelle Seite durchsuchen Gesamtes Dokument durchsuchen     Aktuelle Seite drucken Hilfe 
- 405 -Mazzola, Guerino / Noll, Thomas / Lluis-Puebla, Emilio: Perspectives in Mathematical and Computational Music Theory