- 417 -Mazzola, Guerino / Noll, Thomas / Lluis-Puebla, Emilio: Perspectives in Mathematical and Computational Music Theory 
  Erste Seite (1) Vorherige Seite (416)Nächste Seite (418) Letzte Seite (454)      Suchen  Nur aktuelle Seite durchsuchen Gesamtes Dokument durchsuchen     Aktuelle Seite drucken Hilfe 

Chew (2000) (pp. 61 - 97) spends considerable effort in order to tune these variables with respect to music-theoretical constraints. A first such constraint deals with the total order of musical selected interval types8
 
8  
P4 = perfect fourth, P5 = perfect fifth, M3 = major third, m6 = minor sixth, ..., d5 = diminished fifth, A4 = augmented fourth.
, namely
{P 4,P5} < {M 3,m6} < {m3, M 6}< {M 2,m7} < {m2, M 7}< {d5,A4}
If the ratio  h2 a = r2 is chosen such that  2 2 15 < a < 7 , the Euclidean distances of corresponding pairs of tone representations exemplify the same total order, namely
 V~ ------- V~ -------- V~ ------- V~ --------- V~ --------- 2r2 + h2 < h < 2r2 +9h2 < 2 r2 + h2 < 2r2 + 25h2 < 4r2 + 36h2
Another set of constraints is concerned with the order of the Euclidean distances of the representations of triad tones and ’foreign’ tones from those of the triads themselves:
d(P (0),C (0)) < d(P(1),C (0)) < d(P (4),C (0)) Maj < d(P(l),C Maj(0)) A l /= 0,1,M4a.j Maj d(P (0),C (0)) < d(P(1),C (0)) < d(P (-3),C (0)) min < d(P(l),C min(0)) A l /= 0,1,-m3i.n min

These conditions are satisfied, if

  • -2 < a <-3 15 15
  • 3 < 4w1 + 3w2 < 15a + 52
  •  1- 1 3 < 4w1 + 3w2 < 2a + 2
  • 1(u2 + 1) < u1 3
  • ( 18a + 34) .u1 + u2 < 81a + 14

Chew studies the border case  2- a = 15 in some detail, i.e. where fifths and major thirds are represented with the same Euclidean distance. In that case the above conditions restrict to

3 < 4w1 + 3w2 < 4, u2 + 1 < 3u1, 27u1 + 16u2 < 19.

A third type of constraints deals with the distances between tones and keys as well es between prominent intervals and keys. In particular on wants the following conditions to be satisfied for all k /= 0 with respect to both modes m (- {M aj,min} :

pitch -key: dd(P((P0(),0)T,TMma(j(k0))))-< 1 leading tone -key: d(P(0),TMaj(0))+d(P-(5),TMaj(0))< 1 d(P(0),Tm(k))+d(P(5),Tm(k) d(P(0),TMaj(0))+d(P-(5),TMaj(0)) perfect fourth -key: d(P(0),Tm(k))+d(P(5),Tm(k) < 1

Erste Seite (1) Vorherige Seite (416)Nächste Seite (418) Letzte Seite (454)      Suchen  Nur aktuelle Seite durchsuchen Gesamtes Dokument durchsuchen     Aktuelle Seite drucken Hilfe 
- 417 -Mazzola, Guerino / Noll, Thomas / Lluis-Puebla, Emilio: Perspectives in Mathematical and Computational Music Theory