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Chew (2000) (pp. 61 - 97) spends considerable effort in order to tune these variables with respect to music-theoretical constraints. A first such constraint deals with the total order of musical selected interval types8
![]() is chosen such that , the Euclidean distances of corresponding pairs of tone representations exemplify the same total order, namely ![]() ![]() These conditions are satisfied, if Chew studies the border case ![]() A third type of constraints deals with the distances between tones and keys as well es between prominent intervals and keys. In particular on wants the following conditions to be satisfied for all ![]() |