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   MAZZOLA, GUERINO (1991). Mathematische Musiktheorie: Status quo 1990. Jber. d.Dt. Math.-Verein, 93:6-29.

   MAZZOLA, GUERINO (1994). presto: Software Manual 1989-1994. Zürich.

   MAZZOLA, GUERINO (1995a). Inverse Performance Theory. In ICMA (ed.), Proceedings of the ICMC 95. San Francisco.

   MAZZOLA, GUERINO (1998). Semiotic Aspects of Musicology: Semiotics of Music. Preview on http://www.ifi.unizh.ch/groups/mml/musicmedia/research.html.

   MAZZOLA, GUERINO (2000). MusicEncycloSpace.

   MAZZOLA, GUERINO (2001a). Classifying Algebraic Schemes fo Musical Manifolds. Tatra Mt. Math. Publ., 23:71-90.

   MAZZOLA, GUERINO (2002). L’Essence du Bleu (sonate pour piano). Acanthus, Rüttenen.

   MAZZOLA, GUERINO (2004). Towards a Galois Theory of Concepts. In MAZZOLA, GUERINO; NOLL, THOMAS; and LLUIS-PUEBLA, EMILIO (eds.), Perspectives in Mathematical and Computational Music Theory. epOs, Osnabrück.

   MAZZOLA, GUERINO and HOFMANN, GEORG RAINER (1989). Der Music Designer MD-Z71 - Hardware und Software für die Mathematische Musiktheorie. In PETSCHE, HELMUTH (ed.), Musik - Gehirn - Spiel, Beiträge zum 4. Herbert-von-Karajan-Symposion. Birkhäuser, Basel.

   MAZZOLA, GUERINO and ZAHORKA, OLIVER (1993-1995). Geometry and Logic of Musical Performance I, II, III. Snsf research reports, Zürich.

   MAZZOLA, GUERINO and ZAHORKA, OLIVER (1994). The RUBATO Performance Workstation on NeXTSTEP.

   MAZZOLA, GUERINO ET AL. (1995b). Neuronal Response in Limbic and Neocortical Structures During Perception of Consonances and Dissonances.

   MAZZOLA, GUERINO ET AL (2001b). The Topos of Music--Geometric Logic of Concepts, Theory, and Performance. Birkhäuser, Basel et al.

   MAZZOLA, OLIVER ZAHORKA, GUERINO and GARBERS, JÖRG (2001). RUBATO on the Internet. http://www.rubato.org.

   MONTIEL, HERNANDEZ M. (1999). Doctoral thesis, Mexico City.

   MUZZULINI, DANIEL (1995). Musical Modulation by Symmetries. J. for Music Theory.

   NATTIEZ, JEAN-JACQUES (1975). Fondements d’une Sémiologie de la Musique. Edition 10/18, Paris.

   NOLL, THOMAS (1995). Morphologische Grundlagen der abendländischen Harmonik. Doctoral thesis