David Cope, On Algorithmic Representation of Musical Style, in: Mira Balaban / Kemal Ebcioglu / Otto Laske (eds.), Understanding Music with AI: Perspectives on Music Cognition, Menlo Park, CA,1992, p. 354-63.

Kemal Ebcioglu, Strict Counterpoint: A Case Study in Musical Composition by Computers, M.S. Thesis, Dept. of Computer Engineering, Middle East Technical University, Ankara 1979

Kemal Ebcioglu, An Expert System for Harmonization of Chorales in the Style of J. S. Bach, Ph. Dissertation, Dept. of Computer Science, S.U.N.Y., Buffalo 1986

Kemal Ebcioglu, An Expert System for Harmonizing Four-Part Chorales, in: Computer Music Journal 12/3, 1988

Kemal Ebcioglu, An Expert System for Harmonizing Four-Part Chorales, in: Mira Balaban / Kemal Ebcioglu/Otto Laske (eds.), Understanding Music with AI: Perspectives on Music Cognition, Menlo Park, CA 1992, p. 295-333.

Mark Ellis, Linear Aspects of the Fugues of J. S. Bach's 'The Well-tempered Clavier': A Quantitative Survey, Ph. Dissertation, Nottingham University 1980

Walter B. Hewlett / Eleanor Selfridge-Field/Edmund Correia, Jr., eds., A Technical Description of the CCARH [MuseData] Databases, Second draft. Menlo Park , CA, 1992

Stephen Malinowski, Music Animation Machine. Video tape and software available from the author: 5876 Park Avenue, Richmond 1991, CA 94805, USA

H. John Maxwell, An Artificial Intelligence Approach to Computer-Implemented Analysis of Harmony in Tonal Music, Ph. Dissertation, Indiana University 1984

H. John Maxwell, An Expert System for Harmonic Analysis of Tonal Music, in: Mira Balaban / Kemal Ebcioglu/Otto Laske (eds.), Understanding Music with AI: Perspectives on Music Cognition, Menlo Park, CA, 1992, p. 335-53

MuseData: See under Hewlett

Max V. Mathews, The Radio Drum, in: Proceedings of the International Computer Music Conference 1989, p. 42-5

Bill Schottstaedt, Automatic Species Counterpoint, Stanford University 1984, CCRMA Report No. STAN-M-19