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Mazzola, Guerino
/
Noll, Thomas
/ Lluis-Puebla, Emilio: Perspectives in Mathematical and Computational Music Theory
Figure 9:
Beethoven prefers the
»
heroic
«
E
-Major and D-Major. As in Vivaldi (cf. Figure 8) the key preference of Mozart and Haydn takes the
»
Cologne Dome
«
shape, favoring C-Major and D-Major.
of the keys are in Major.
- 446 -
Mazzola, Guerino
/
Noll, Thomas
/ Lluis-Puebla, Emilio: Perspectives in Mathematical and Computational Music Theory
-Major and D-Major. As in Vivaldi (cf. Figure 8) the key preference of Mozart and Haydn takes the 
of the keys are in Major.