Desain, Peter, Honing, Henkjan und Heijink, Hank (1997): Robust Score-Performance Matching: Taking Advantage of Structural Information. In: ICMC97, S. 337–340.

    Desain, Peter, Honing, Henkjan und de Rijk, Klaus (1989): A Connectionist Quantizer. In: Proceedings of the International Computer Music Conference 1989, S. 80–5. International Computer Music Association.

    Desain, Peter und Windsor, Luke, Hg. (2000): Rhythm Perception and Production. Swets and Zeitlinger, Lisse.

    Deutsch, Diana (1982a): Grouping Mechanisms in Music. In: Deutsch (1982b), Kapitel 4, S. 99–134.

    Deutsch, Diana, Hg. (1982b): The Psychology of Music. Academic Press, New York.

    Deutsch, Diana (1986): Auditory Pattern Recognition. In: K. R. Boff, L. Kaufman und J. P. Thomas, Hg., Handbook of Perception and Human Performance: Cognitive Processes and Performance, Band 2, Kapitel 32, S. 32–1–49. John Wiley and Sons, New York.

    Dixon, Simon und Cambouropoulos, Emilios (2000): Beat Tracking with Musical Knowledge. In: W. Horn, Hg., Proceedings of the 14th European Conference on Artificial Intelligence. IOS Press, Amsterdam. URL http://www.ai.univie.ac.at/cgi-bin/tr-online?number+2000-09.

    Dowling, W. Jay (1973): Rhythmic groups and subjective chunks in memory for melodies. Perception and Psychophysics, 14(1), S. 37–40.

    Drake, C., Dowling, W. Jay und Palmer, Caroline (1991): Accent structures in the reproduction of simple tunes by children and adult pianists. Music Perception, 8(3), S. 315–334.

    Drake, Carolyn (1993a): Perceptual and performed accents in musical sequences. Bulletin of the Psychonomic Society, 31, S. 107–110.

    Drake, Carolyn (1993b): Reproduction of of musical rhythms by children, adult musicians and adult nonmusicians. Perception and Psychophysics, 53, S. 25–33.

    Drake, Carolyn (1998): Psychological Processes Involved in the Temporal Organization of Complex Auditory Sequences: Universal and Acquired Processes. Music Perception, 16(1), S. 11–26.

    Ebcioglu, Kemal (1993): An Expert System for Harmonizing Four-Part Chorales. In: Stephan M. Schwanauer und David A. Lewitt, Hg., Machine Models of Music, Kapitel 17, S. 385–402. The MIT Press, Cambridge, Mass. Reprint of Computer Music Journal 1986.