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Motivic Spaces of Scores through RUBATO’s MeloTopRUBETTE Supported by the Natural Sciences and Engineering Research Council of Canada (NSERC) and by the Fonds pour la Formation de Chercheurs et l’Aide à la Recherche (FCAR).
1 IntroductionWe propose an improved version of the module MeloRUBETTE of the software platform RUBATO for musical analysis and performance (Mazzola and Zahorka, 1994; Mazzola and Garbers, 2001). This module of the now developed Distributed RUBATO platform (Mazzola, 2002, chapter 40) is called MeloTopRUBETTE1
The motivic analysis of a score has always been a main subject in musicology, but the very complexity of the motivic concepts and configurations made it impossible to ’traditional’ musicologists to transcend pure intuition. Nonetheless, crucial ideas about motivic analysis were proposed by Reti and Kopfermann (1982). In order to find out which motives are the germs and motors in the evolution of the motivic content, they suggested an immanent approach: One should not impose the germinal motives from outside, but construct the germs from a thorough analysis of all possible motif structures and relations within a given composition. So musicology is facing two main problems: To formalize the concept framework dealing with motives, and to establish a formally valid model of motivic germs. We propose a solution to these two problems: In Buteau (1998), we introduced a model which formally conceptualizes Reti’s and Kopfermann’s approach. The |