- 52 -Mazzola, Guerino / Noll, Thomas / Lluis-Puebla, Emilio: Perspectives in Mathematical and Computational Music Theory 
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turned out to include circular constructions, a completely new situation which also mathematically has some serious implications: this is the subject of the conceptual Galois theory we want to sketch below. Therefore, the following general framework was created, a framework which is rooted in the modern topos theory rather than in classical algebra and geometry.

2.2 Forms

Forms are the structure type which mimic a generic space concept3

 
3  
Fro further motivations, see Mazzola (2000).
. They are based on the category Mod of (left) modules over associative, rings4
 
4  
The empty module (!) is included in this category to guarantee universal constructions.
with identity. The morphisms of this category are the diaffine morphisms. This means that if M, N are modules over rings R,S , respectively, a diaffine morphism f : M --> N is the composition f = enof0 of a dilinear morphism f0 with respect to a ring homomorphism r : R --> S and a translation en on the codomain N . The morphism set from M to N is denoted by M @N . The category of presheaves over Mod is denoted by  @ M od ; in particular, the representable presheaf of a module M is denoted by @M . More generally, for any presheaf F in  @ M od , its value at module M will be denoted by M @F . In the context of  @ M od , we shall call a module an address, a terminology which stresses the Yoneda philosophy, stating that the isomorphism class of a module is determined by the system @M of all the >perspectives< it takes when >observed< from all possible addresses. Recall Mac Lane and Moerdijk (1994) that  @ M od  is a topos the subobject classifier _O_ of which evaluates to M @_O_ = {S |S = sieve in M } . Its exponential  F _O_ for a presheaf F evaluates to  F M @_O_ = {S| S = subfunctor of @M × F} , and for a representable F = @N , we have  @N ~ M @_O_ --> (M × N )@_O_ , the set of sieves in M × N . For a subfunctor S < @M × F , an address B , and a morphism f : B --> M , we write f@S = {(f,s)|(f,s) (- B@S} , i.e.,  |_| B@S = f (- B@M f@S .

To construct the formal setup of forms, we consider the set M onoM od@ of monomorphisms in M od@ . We further consider the set

T ypes = {Simple,Syn, Limit,Colimit,Power}

of form types. We then need the free monoid N ames = <UN ICODE > over the UN ICODE alpabet 5

 
5  
This is the current extension of the ASCII alphabet code to non-European letters
. We next need the set Dia(N ames) of all diagram schemes with vertices in N ames . More precisely, a diagram scheme over N ames is a finite directed multigraph the vertices of which are elements of N ames , and the arrows i : A --> B of which are triples (i,A, B) , with i = 1,... natural numbers to identify arrows for given vertices.

Next, consider the set  @ Dia(N ames/M od ) of diagrams on Dia(N ames) with values in  @ M od . Such a diagram is a map

 @ dia : D --> M od


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- 52 -Mazzola, Guerino / Noll, Thomas / Lluis-Puebla, Emilio: Perspectives in Mathematical and Computational Music Theory